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In Vocalign Ultra you could optionally adjust the timing and pitch of the dub tracks in comparison to the guide for creative effects (using manual adjustments or presets). Use Vocalign Ultra with the main vocal track as guide and all of the other vocal tracks (at least the ones that are supposed to align with the guide) as dub to align them. This might include breath control, sibilance, timing, pitch and gain etc.Įither use Autotune or, if necesary, tune any dub tracks as necessary with Melodyne (any that are not too bad you could use Vocalign Ultra to tune in step 4). Tune/edit the main vocal track as necessary using Melodyne. Record all the vocal tracks, main, harmonies, doubles etc. There are no hard and fast rules but my typical workflow for using them both would be as follows (take it as read that I would also remove dead space/breaths etc in vocal tracks): I find I can do most things I need to with Melodyne Editor and Vocalign Ultra (and Pro 4 before it).
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Vocalign Ultra is much slicker and does more than Vocalign Pro 4 (which I upgraded from). I demoed Revoice Pro but disliked it's workflow and messy UI. It also now uses the same algorithms as their Revoice Pro product which is a step up from Vocalign Pro. It can now also do some pitch modifications but I wouldn't use it in place of Melodyne for that. Vocalign Ultra is primarily for ensuring that multiple vocal tracks are aligned, timing wise with a main vocal part. The version I have (Editor) can also adjust sibilance, timing, gain envelopes and a whole host of other things like audio to MIDI. Melodyne is primarily for tuning a vocal (or other instrument) part in the greatest of detail. As usual with such products there is some overlap. 7 ArwoodDifferent products for different things.I have to say that I was slightly surprised and impressed with the results for non-vocal alignment although I guess the results might vary depending on the specific situation. Initially the trumpet sounded weird and then I realised that match tuning was selected After de-selecting match tuning it was able to match the timing and bring the trumpet back in sync with the flute apart from one note which I had probably gone too far with when I moved it out of sync. I then froze both track and used the audio with Vocalign Ultra.
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I made the flute part perfectly in time and then copied the MIDI from that to the trumpet track and manually moved the notes around to make it out of sync with the flute.
![how to get vocalign pro 4 forum how to get vocalign pro 4 forum](https://www.alfredapp.com/help/workflows/advanced/debugger/dishes-debug-log.png)
I then tried the same thing with a flute and trumpet part using Sampletank 4 instruments. To my surprise Vocalign Ultra was able to tidy up my vocals to be in sync with the kick drum. So first I recorded a 4 on the floor kick beat on one track (EzDrummer frozen to make audio) and myself singing notes deliberately out of time on another. I have only ever used it for vocals and was going to say that it's really meant for vocals but then thought I would try out some instrument scenarios.